Research Design In Nature / John Gilbert Wilkins 1924 B/w Plates RARE FOLIO BOOK




Item History & Price

Information:
Reference Number: Avaluer:1238457Year: 1924-1925
Height (Inches): 12.5Subject: Nature
Signed: UnsignedDate of Creation: 1900-1949
Artist: John Gilbert WilkinsPrint Surface: Paper
Print Type: B/W and color platesFramed/Unframed: Unframed
Original Description:
Research Design in Nature -  Field Museum of Natural History. School of the Art Institute.Chicago.1924-1925. John Gilbert Wilkins.This RARE  Portfolio Book is a scarce collection.... with  3 actual original pencil sketches  by unknown artistThis Portfolio contains approximately 185 unbound  black and white plates / prints, some color   printed on one side only. I am not sure how many would be in a complete set . Also discovered between ...pages are 3 original pencil sketches  a Bird, skeleton, (back to back on same sheet and what appears to be a wolf head  on a separate sheet  ( perhaps sketched by one of the featured artist in this portfolio ? ) a rare find . They are located in between pages of artist Leona McGill and Louise Walek   and wolf head sketch near Henry Meloy work . Perhaps  this portfolio was once owned by one of them ?   .... see photosMany of the plates have chips or dogeared corners.Hardcover is  rough worn condition , (green cloth with gold titles) portfolio with laces at the edges, one lace missing. The spine is in torn condition. pages are yellow.This Portfolio type book  measures  around. 10" x12.5" x  2''The plates/ prints are beautifully designed, many with borders and decorative lettering.Some  plates give credit to both the researcher and the illustrator. They appear to be the work of several artists, including John Frank, K. Stearns, B. M. Trottnow, P.Yim, Leona McGill, Jean Goodwin, and many many more.
Very attractive natural history illustrations showing animals, patterns from Native American textiles and pottery, skeletons, and more. These beautiful plates show indigenous arts alongside natural history sketches to show how design and patterns considered most beautiful have counterparts in nature (or, to cast a more Colonial light on it, how indigenous arts are basically the same as the patterns of scales on a fish, whereas Civilized society is clever enough to notice that and be separate from it.) 
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