CREAM Cover Art Official Lithograph Martin Sharp DISRAELI GEARS
Item History & Price
| Reference Number: Avaluer:12641288 | Size: ~22x26 |
| Original/Reproduction: Original |
Earth Day 2000 by Bob Masse Auction on E-Bay Produced in 1993 by graphic artist Martin Sharp and distributed by Music Art LLC.
It was released in November 1967[1] and went on to reach No. 5 on the UK Albums Chart It was also the group's American breakthrough, becoming a massive seller in 1968, and reaching No. 4 on the American charts. The album was No. 1 for two weeks on the Australian album chart and was listed as the No. 1 album of 1968 by Cash Box in the year-end album cha...rt in the United States. The album features the two singles "Strange Brew" and "Sunshine of Your Love, " as well as their respective B-sides "Tales of Brave Ulysses" and "SWLABR."
The cover art was created by Australian artist Martin Sharp who lived in the same building as Clapton, The Pheasantry in Chelsea. Sharp would go on to create the artwork to Cream's next album Wheels of Fire and co-wrote the songs "Tales of Brave Ulysses" and The Savage Seven movie theme "Anyone for Tennis" with Clapton. The photography was by Bob Whitaker, known for works by The Beatles including the controversial Yesterday and Today "butcher" cover. Most of the photographs were taken in July of 1967, with shoots in London's Hyde Park as well as in the Scottish Highlands. Some of the images were shot on Ben Nevis, the tallest mountain in the British isles. The photos show a clean-shaven Clapton with a bouffant, permed hairstyle. By the time of the album's release in November, however, he was letting his hair grow out straight and had grown a moustache.
The front cover consists of a psychedelic collage with the title centred and band name below, surrounded by a floral arrangement. Martin Sharp was attempting to capture the sound of the music in the cover, which he describes as a "warm fluorescent sound"
I got hold of a publicity shot and cut it up, along with cutouts from various books, laid the pieces out and stuck them together as a collage on a 12-inch square. I did some drawing outlines, and then painted all over it with fluorescent inks and paints of the time. I really wanted to capture that warm, electric sound of their music in the colours and expression of the cover. On my way to England, I'd gone [to Cambodia]. And in one of the towns I visited, there were these amazing sculptures with faces on each side, and huge trees growing out on top… Over the years, these great trees had taken root and grown. I suppose I thought that was a bit like the band: where you could see three faces, and the music coming out of their heads.
SALE ITEM! - This is a heavily discounted item. Retail value is ~$250. NO RESERVE.
It was released in November 1967[1] and went on to reach No. 5 on the UK Albums Chart It was also the group's American breakthrough, becoming a massive seller in 1968, and reaching No. 4 on the American charts. The album was No. 1 for two weeks on the Australian album chart and was listed as the No. 1 album of 1968 by Cash Box in the year-end album cha...rt in the United States. The album features the two singles "Strange Brew" and "Sunshine of Your Love, " as well as their respective B-sides "Tales of Brave Ulysses" and "SWLABR."
The cover art was created by Australian artist Martin Sharp who lived in the same building as Clapton, The Pheasantry in Chelsea. Sharp would go on to create the artwork to Cream's next album Wheels of Fire and co-wrote the songs "Tales of Brave Ulysses" and The Savage Seven movie theme "Anyone for Tennis" with Clapton. The photography was by Bob Whitaker, known for works by The Beatles including the controversial Yesterday and Today "butcher" cover. Most of the photographs were taken in July of 1967, with shoots in London's Hyde Park as well as in the Scottish Highlands. Some of the images were shot on Ben Nevis, the tallest mountain in the British isles. The photos show a clean-shaven Clapton with a bouffant, permed hairstyle. By the time of the album's release in November, however, he was letting his hair grow out straight and had grown a moustache.
The front cover consists of a psychedelic collage with the title centred and band name below, surrounded by a floral arrangement. Martin Sharp was attempting to capture the sound of the music in the cover, which he describes as a "warm fluorescent sound"
I got hold of a publicity shot and cut it up, along with cutouts from various books, laid the pieces out and stuck them together as a collage on a 12-inch square. I did some drawing outlines, and then painted all over it with fluorescent inks and paints of the time. I really wanted to capture that warm, electric sound of their music in the colours and expression of the cover. On my way to England, I'd gone [to Cambodia]. And in one of the towns I visited, there were these amazing sculptures with faces on each side, and huge trees growing out on top… Over the years, these great trees had taken root and grown. I suppose I thought that was a bit like the band: where you could see three faces, and the music coming out of their heads.
SALE ITEM! - This is a heavily discounted item. Retail value is ~$250. NO RESERVE.
