RARE ARTS & CRAFTS BRASS CHARGER GLASGOW SCHOOL MARGARET / MARY GILMOUR
Item History & Price
| Reference Number: Avaluer:15689974 | Age: 1900-1940 |
| Material: Brass | Featured Refinements: Glasgow School Margaret Gilmour |
| Original/Repro: Original | Type: Charger Plate |
RARE ARTS & CRAFTS BRASS CHARGER from GLASGOW SCHOOL marked with monogram MG MARGARET / MARY GILMOUR. Super quality with hand beating marks not machine made.size Diameter 295mm Height 30mm.With Back wall hanging loop all intact.Condition is good for age would benefit from a proper clean and polish.
Bargain buy it now as I’ve saw similar sell in the mid £100’soffers also available.
Dispatched with Royal Mail Special Delivery (TM) 1:00 pm.Information received from internet....Decorated initial MGMargaret Gilmour was born in Glasgow, the daughter of a local businessman. She attended the School of Art from 1877 to 1880 and is often referred to in hand with her sister Mary, who also attended at Glasgow and following that art school in London. Together with another sister they later established The Gilmour Studio at 179 West George Street, a successful operation which they kept on for about 50 years and which operated only within the city. They won local commissions, produced items for sale and taught a range of crafts including repoussé metalwork, enamelling, leatherwork, embroidery, painting, ceramic painting and wood carving. Margaret’s output appears to be prolific and (and that of her sister) was predominantly in metalware of a high quality, in brass and white metal and sometimes in copper.
Examples of her work appear regularly at auction. Often it is unsigned, although when signed the signature is “MG” could equally refer to Mary Gilmour. In relation to a lack of signature on her work, dealers cite a high volume of output from the studio as the reason and use pattern books and quality as a means of determining provenance.
The Gilmour Studio produced an enormous range of decorative metalware for the home including wall plaques, jardinieres, clock faces, candle sconces, trays, mirrors, lamps, desk and dressing table sets. Glasgow Style motifs were generally used in their designs as were Celtic entrelacs, sometimes with enamel roundels.
Margaret exhibited at the Glasgow International Exhibition in 1901. Very little information or research on her is available. Margaret is often referred to as one of The Glasgow Girls - a term used today to describe the group of women artists and designers who worked in and around Glasgow from the 1880s operating in the Glasgow Style. Most of these adopted a wide range of media and many set up studios in the city
Bargain buy it now as I’ve saw similar sell in the mid £100’soffers also available.
Dispatched with Royal Mail Special Delivery (TM) 1:00 pm.Information received from internet....Decorated initial MGMargaret Gilmour was born in Glasgow, the daughter of a local businessman. She attended the School of Art from 1877 to 1880 and is often referred to in hand with her sister Mary, who also attended at Glasgow and following that art school in London. Together with another sister they later established The Gilmour Studio at 179 West George Street, a successful operation which they kept on for about 50 years and which operated only within the city. They won local commissions, produced items for sale and taught a range of crafts including repoussé metalwork, enamelling, leatherwork, embroidery, painting, ceramic painting and wood carving. Margaret’s output appears to be prolific and (and that of her sister) was predominantly in metalware of a high quality, in brass and white metal and sometimes in copper.
Examples of her work appear regularly at auction. Often it is unsigned, although when signed the signature is “MG” could equally refer to Mary Gilmour. In relation to a lack of signature on her work, dealers cite a high volume of output from the studio as the reason and use pattern books and quality as a means of determining provenance.
The Gilmour Studio produced an enormous range of decorative metalware for the home including wall plaques, jardinieres, clock faces, candle sconces, trays, mirrors, lamps, desk and dressing table sets. Glasgow Style motifs were generally used in their designs as were Celtic entrelacs, sometimes with enamel roundels.
Margaret exhibited at the Glasgow International Exhibition in 1901. Very little information or research on her is available. Margaret is often referred to as one of The Glasgow Girls - a term used today to describe the group of women artists and designers who worked in and around Glasgow from the 1880s operating in the Glasgow Style. Most of these adopted a wide range of media and many set up studios in the city
