Vintage African Kuba Cloth Textile Mud Cloth Abstract Art
Item History & Price
| Reference Number: Avaluer:24310222 | Tribe: Kuba |
This is a beautiful and striking African textile from the mid 20th century. Known as a kuba or mud cloth, it is woven of rough natural fibers that have been dyed using plant dyes. Here is a short article I found on line that gives a very good synopsis of the cloth and its creation. My cloth measures 25" x 26", and is in original undamaged condition as shown. Henri Matisse is known to have collected and displayed kuba cloths in his home and studio as inspiration for hi...s works. The photo shows a room in his house, Villa La Reve, in Vence from 1944 with kubas on the wall.
"Using the leaf of the raffia tree, the Kuba people of the Congo first hand cut, and then weave the strips of leaf to make pieces of fabric, often called raffia cloth. There are several different sub groups of the Kuba people. Each group has different and unique ways to make the fabric. Some make it thicker, longer, shorter, or with different patches. Each patch is symbolic and many times a piece has many different meanings. When Kuba cloth originated there were probably no patches used, but as the cloth is brittle it is quite likely that the patches were used to repair the frequent tears. Later each patch developed a meaning, many patterns are uniquely arranged to tell a story. The process of making Kuba cloth is extremely time consuming and may take several days to form a simple placemat size piece. The men first gather the leaves of the raffia tree and then dye it using mud, indigo or substances from the camwood tree. They then rub the raffia fibers in their hands to soften it and make it easier for weaving. After they've completed the base cloth the women embroider it. They do this by pulling a few threads of the raffia fibers, inserting them into a needle running the needle through the cloth until the fibers show up on the opposite end. They then take a knife and cut off the top of the fibers, leaving only a little bit showing. Doing this hundreds of times forms a design. The designs are seldom planned out ahead of time, and most of the embroidery is done by memory. The Kuba people, who developed this and many other fabrics were very resistant to using European cloth; and for many years seldom used machine made fabrics. When researching this and other cloths that the Kuba people developed, it is not hard to understand why they resisted the change so much. Each fabric, each pattern, and each design in traditional Kuba fabrics has great meaning. On the basis of what a person wore; you could interpret much about them. Social status age, marital status, and a person's character were just a few of the things a piece of cloth symbolized to these people." -Africa ImportsFeel free to ask me any questions, and to bid with confidence. All my items are guaranteed to be as described.
"Using the leaf of the raffia tree, the Kuba people of the Congo first hand cut, and then weave the strips of leaf to make pieces of fabric, often called raffia cloth. There are several different sub groups of the Kuba people. Each group has different and unique ways to make the fabric. Some make it thicker, longer, shorter, or with different patches. Each patch is symbolic and many times a piece has many different meanings. When Kuba cloth originated there were probably no patches used, but as the cloth is brittle it is quite likely that the patches were used to repair the frequent tears. Later each patch developed a meaning, many patterns are uniquely arranged to tell a story. The process of making Kuba cloth is extremely time consuming and may take several days to form a simple placemat size piece. The men first gather the leaves of the raffia tree and then dye it using mud, indigo or substances from the camwood tree. They then rub the raffia fibers in their hands to soften it and make it easier for weaving. After they've completed the base cloth the women embroider it. They do this by pulling a few threads of the raffia fibers, inserting them into a needle running the needle through the cloth until the fibers show up on the opposite end. They then take a knife and cut off the top of the fibers, leaving only a little bit showing. Doing this hundreds of times forms a design. The designs are seldom planned out ahead of time, and most of the embroidery is done by memory. The Kuba people, who developed this and many other fabrics were very resistant to using European cloth; and for many years seldom used machine made fabrics. When researching this and other cloths that the Kuba people developed, it is not hard to understand why they resisted the change so much. Each fabric, each pattern, and each design in traditional Kuba fabrics has great meaning. On the basis of what a person wore; you could interpret much about them. Social status age, marital status, and a person's character were just a few of the things a piece of cloth symbolized to these people." -Africa ImportsFeel free to ask me any questions, and to bid with confidence. All my items are guaranteed to be as described.
