RARE Sally (1979) By Beth Van Hoesen (PRINT)
Item History & Price
Sally (1979) by Beth Van Hoesen (PRINT). Shipped with USPS First Class.
Printer DAVID KELSO
Beth Van Hoesen, Sally, 1979, aquatint, drypoint, and etching with roulette, with burnishing and scraping on moderately thick, moderately textured white wove paper, Gift of the E. Mark Adams and Beth Van Hoesen Adams TrustBeth Van Hoesen's large oeuvre of animal prints all stem from close observation. To create this print, for example, the artist sketched Sally, who lived in a cage in her ...backyard, for ten days. Stating that she "wasn't a nice sweet rabbit, she was feisty, " Van Hoesen had to be patient for Sally to assume the pose she wanted. This intense study bears a likeness to Albrecht Dürer’s famous watercolor painting Hare.
The piece is in MINT condition. Would be great for a Library or Den. Original etching of "Sally" can go for $5000 if you can find them. Approx 24 x 18. Please message me before bidding if you have any questions. Will be shipped flat with tracking number. Below is a short bio about the Artist. Beth Van Hoesen 1926-2010 Born in 1926 in Boise, Idaho, to Enderse and Freda Van Hoesen, Beth Van Hoesen moved with her family to California. In 1944 she enrolled at Stanford University to study fine arts, earning a Bachelor of Arts degree in 1948. She also attended painting classes at the Escuela de Pintura y Escultura de la Escuela Esmeralda, Mexico City, in 1945-46; and in 1946-47 studied at California School of Fine Arts in San Francisco (CSFA, now San Francisco Art Institute). After graduating from Stanford, she traveled to France and studied at the Ecole des Beaux Arts de Fontainbleau in 1948, and at the Académie Julian and Académie de la Grand Chaumière in Paris from 1948 to 1950. In 1951 she again enrolled at CSFA, where David Park and Clyfford Still were among her influential teachers. At CSFA she met artist and designer Mark Adams, and they married in 1953. In 1955, she traveled with Adams to St. Céré-Aubusson, France, where Adams had an apprenticeship with tapestry artist Jean Lurçat. After a year of study and travel in France, they returned to San Francisco, and in 1957-58 she attended classes at San Francisco State College. She began to receive recognition for her drawings and intaglio prints, including a solo exhibition of drypoints at Stanford Art Gallery, Stanford University in 1957. In 1959, Van Hoesen and Adams purchased a 1910 firehouse in San Francisco’s Castro neighborhood, where they established their studios and lived for the next 46 years. For many years, they hosted a weekly figure drawing group at the Firehouse studio, joined by artists Wayne Thiebaud, Gordon Cook, Theophilus Brown, and others. In 2005, they moved from the Firehouse to the Sequoias in San Francisco, where she was living at the time of her death. Throughout her career, Beth Van Hoesen distinguished herself as a major figure in 20th century printmaking. Her work was featured in solo exhibitions at museums that included the M. H. de Young Memorial Museum, San Francisco; Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco; Boise Art Museum; San Francisco Museum of Modern Art; Santa Barbara Museum of Art; The Oakland Museum; Portland Art Museum, Oregon, and other institutions. A traveling exhibition organized by The Art Museum Association toured for three years to museums throughout the U.S. in the early 1980s. She was widely honored for her artistic achievements, including a 1981 Award of Honor in Graphics from San Francisco Arts Commission, and 1993 Distinguished Artist Award from California Society of Printmakers. Museums with works by Beth Van Hoesen in their collections include the Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco; Art Institute of Chicago; Boise Art Museum; Brooklyn Museum; Cincinnati Art Museum; El Paso Museum of Art; Fresno Art Museum; Honolulu Academy of Arts; Monterey Peninsula Museum of Art; Museum of Modern Art, New York; The Oakland Museum; Portland Art Museum, Oregon; Racine Art Museum; Rutgers University Printmaking Archives; San Francisco Museum of Modern Art; San Jose Museum of Art; Santa Barbara Museum of Art; Smithsonian Institution, Washington, D.C.; Stanford University Libraries; State University of New York, Syracuse; University of California, Berkeley Art Museum; University of California, Davis; University of Idaho, Moscow; University of Tennessee, Chattanooga; University Museums, Iowa State
Printer DAVID KELSO
Beth Van Hoesen, Sally, 1979, aquatint, drypoint, and etching with roulette, with burnishing and scraping on moderately thick, moderately textured white wove paper, Gift of the E. Mark Adams and Beth Van Hoesen Adams TrustBeth Van Hoesen's large oeuvre of animal prints all stem from close observation. To create this print, for example, the artist sketched Sally, who lived in a cage in her ...backyard, for ten days. Stating that she "wasn't a nice sweet rabbit, she was feisty, " Van Hoesen had to be patient for Sally to assume the pose she wanted. This intense study bears a likeness to Albrecht Dürer’s famous watercolor painting Hare.
The piece is in MINT condition. Would be great for a Library or Den. Original etching of "Sally" can go for $5000 if you can find them. Approx 24 x 18. Please message me before bidding if you have any questions. Will be shipped flat with tracking number. Below is a short bio about the Artist. Beth Van Hoesen 1926-2010 Born in 1926 in Boise, Idaho, to Enderse and Freda Van Hoesen, Beth Van Hoesen moved with her family to California. In 1944 she enrolled at Stanford University to study fine arts, earning a Bachelor of Arts degree in 1948. She also attended painting classes at the Escuela de Pintura y Escultura de la Escuela Esmeralda, Mexico City, in 1945-46; and in 1946-47 studied at California School of Fine Arts in San Francisco (CSFA, now San Francisco Art Institute). After graduating from Stanford, she traveled to France and studied at the Ecole des Beaux Arts de Fontainbleau in 1948, and at the Académie Julian and Académie de la Grand Chaumière in Paris from 1948 to 1950. In 1951 she again enrolled at CSFA, where David Park and Clyfford Still were among her influential teachers. At CSFA she met artist and designer Mark Adams, and they married in 1953. In 1955, she traveled with Adams to St. Céré-Aubusson, France, where Adams had an apprenticeship with tapestry artist Jean Lurçat. After a year of study and travel in France, they returned to San Francisco, and in 1957-58 she attended classes at San Francisco State College. She began to receive recognition for her drawings and intaglio prints, including a solo exhibition of drypoints at Stanford Art Gallery, Stanford University in 1957. In 1959, Van Hoesen and Adams purchased a 1910 firehouse in San Francisco’s Castro neighborhood, where they established their studios and lived for the next 46 years. For many years, they hosted a weekly figure drawing group at the Firehouse studio, joined by artists Wayne Thiebaud, Gordon Cook, Theophilus Brown, and others. In 2005, they moved from the Firehouse to the Sequoias in San Francisco, where she was living at the time of her death. Throughout her career, Beth Van Hoesen distinguished herself as a major figure in 20th century printmaking. Her work was featured in solo exhibitions at museums that included the M. H. de Young Memorial Museum, San Francisco; Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco; Boise Art Museum; San Francisco Museum of Modern Art; Santa Barbara Museum of Art; The Oakland Museum; Portland Art Museum, Oregon, and other institutions. A traveling exhibition organized by The Art Museum Association toured for three years to museums throughout the U.S. in the early 1980s. She was widely honored for her artistic achievements, including a 1981 Award of Honor in Graphics from San Francisco Arts Commission, and 1993 Distinguished Artist Award from California Society of Printmakers. Museums with works by Beth Van Hoesen in their collections include the Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco; Art Institute of Chicago; Boise Art Museum; Brooklyn Museum; Cincinnati Art Museum; El Paso Museum of Art; Fresno Art Museum; Honolulu Academy of Arts; Monterey Peninsula Museum of Art; Museum of Modern Art, New York; The Oakland Museum; Portland Art Museum, Oregon; Racine Art Museum; Rutgers University Printmaking Archives; San Francisco Museum of Modern Art; San Jose Museum of Art; Santa Barbara Museum of Art; Smithsonian Institution, Washington, D.C.; Stanford University Libraries; State University of New York, Syracuse; University of California, Berkeley Art Museum; University of California, Davis; University of Idaho, Moscow; University of Tennessee, Chattanooga; University Museums, Iowa State
