Black Americana LITTLE BOY WAITING FOR DADDY PAPPY 1896 Kemble Matted Art Print




Item History & Price

Information:
Reference Number: Avaluer:50453103Original/Reproduction: Original Print
Date of Creation: 1800-1899Listed By: Dealer or Reseller
Framed/Unframed: MattedEdition Size: Out of Print Antique Book
Main Color: Black and WhitePrint Type: Lithograph
Print Surface: PaperSubject: Children & Infants
Signed: May be signed in plate. See descriptionStyle: Realism
Edition Type: Limited EditionSize Type/Largest Dimension: Small (Up to 14in.)
Artist: Kemble
Original Description:
This is a matted antique illustration from a book of sketches by Edward W. Kemble, Kembles Coons, published in 1896. Kemble is best known for his illustration of Huckleberry Finn. You can read more about this illustrator at the end of this description.

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TITLE: YOU ALL AIN' SEEN MY PAPPY, IS YER?
ARTIST: Edward W. Kemble, signed in plate

CONDITION: EXCELLENT  -- The prints in this series are clear, clean, bright. No foxing, tears or folds. A really fine image. Excellent definition. Nice clean, sharp lines, and wide margins.  
This print is about 120 years old and guaranteed to be original. It is an authentic old illustration from the aforementioned book of sketches, and NOT A MODERN REPRODUCTION.

The visible part of the print, including the white border (if any) is about 7 1/2" x 10 1/4". Matted the print measures 11" x 14". This is a standard size matte that will fit into a standard size frame.ALL OF OUR MATTED PRINTS ARE WRAPPED IN A CLEAR CELLOPHANE ENVELOPE THAT PROTECTS THE PRINT DURING SHIPPING AND IS PERFECT FOR GIFT GIVING.
ABOUT THE MATSAll of our prints are bevel matted in a very high quality, and simple off-white/ivory matting. The backing, WHICH IS NOT ATTACHED TO THE PRINT, also meets the same high quality standard. We take pride in what we sell. Look at our feedback. 

All mats are acid-free and the small piece of tape used to attach the print to the top of the mat is artists tape. This print is truly ready to be framed and preserved.

Some Comments about Our Mats

Always a wonderful transaction. Will buy again. Awesome Prints & Mats!!!!!
Beautiful Print. Awesome Mat! Fab pkg. Rapid ship. Bought 4 MORE! A++++
As always, a very fine print & mat, well-packed & promptly shipped: A+
This print is better than I imagined, the mat is fabulous, everything is perfect
THANK YOU! JUST AS DESCRIBED. GREAT MATTING! A+A+A+
Great vendor. Nicely packaged and matted. Highly recommend this vendor.
Great matted print, excellent transaction in every way, A+++ - thank you!
Thanks.... great item and nicely matted and shipped!!!
Beautiful print and matte, great shape, great packaging, quick service.
Beautifully matted, just as described. A+ seller!
Great print artfully matted. Prompt service. Thanks. 
Great service-prompt delivery-beautifully matted-perfection! Will buy from again
ABOUT EDWARD WINDSOR KEMBLE FromWikipedia (mostly)Kemble was born in Sacramento, California. In 1875 he wasenrolled at a boarding school in Philadelphia, which was a center of artisticactivity. His artistic talent was such that he was a successful contributor toperiodicals by 1881. He became the major political cartoonist for the NewYork Graphic while receiving his only formal artistic training atthe Art Students League of New York.When Life Magazine was founded in 1883, Kemblebecame a frequent contributor to its early issues. He was a staff politicalcartoonist for Collier’s from 1903 to 1907, for Harper’s Weekly from1907 to 1912 before returning to Collier's, and for Leslie’s Weekly and Judge inthe late 1910s.His lively cartoons, some of the magazine industry's mostmature work, attracted the attention of Mark Twain, who employed Kemble toillustrate Adventures of Huckleberry Finn. Kemble subsequently illustratedseveral other famous books, including Twain's Puddin Head Wilson,  HarrietBeecher Stowe’s Uncle Tom’s Cabin, Washington Irving’s Knickerbocker History of New York, and many of Joel Chandler Harris’ Uncle Remus stories.Kemble isbest remembered for his specialty, cartoons of African Americans. Hischaracterizations were often sympathetic. He took care to study the real urbanand rural environs and living conditions of African Americans, and producedmany sensitive, almost photographic portraits of them.Kemble lived in the Rochelle Park area ofsuburban New Rochelle. Kemble died in Ridgefield, Connecticut in 1933, aged 72. 



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