Dolores Del Rio Rare Early Vintage Autographed Postcard Flying Down To Rio
Item History & Price
| Reference Number: Avaluer:7032445 |
Here is a gorgeous rare early vintage autographed postcard of actress Dolores del Rio. Known for Flying Down to Rio, The Trail of '98, The Abandoned, In Caliente, Journey Into Fear, and many other movies and TV shows. Note many early photos listed as signed are facsimiles. Minor fading. A rare early autograph and a beautiful photo.
Will ship worldwide. I always combine shipping on multiple orders.
Dolores del Rio was the first Mexican movie star with international appeal an...d had a meteoric career in 1920s Hollywood (an extraordinary accomplishment for an Hispanic female on those years). She came from an aristocratic family in Durango. In the Mexican revolution of 1916, however, the family lost everything they had and emigrated to Mexico City, where Dolores became a socialite. In 1921 she married Jaime Del Río (also known as Jaime Martínez Del Río), a wealthy Mexican, and the two became friends with Hollywood producer/director Edwin Carewe. In a somewhat unorthodox manner, for those years, the couple moved to Hollywood where they expected to launch careers in the movie business (she as an actress, he as a screenwriter). Eventually they were divorced after Dolores made her first film, Joanna (1925). THe film was a success and Dolores was hailed as a female Rudolph Valentino. Her career rose until the arrival of sound in 1928. After a number of forgettable films, she married Cedric Gibbons, the well-known art director and production designer at MGM studios. Dolores returned to Mexico in 1942. Her Hollywood career was over, and a romance with Orson Welles--who later called her "the most exciting woman I've ever met"--caused her second divorce. Mexican director Emilio Fernández offered her the lead in his film Flor silvestre (1943), with a wholly unexpected result: at age 37, Dolores Del Río became the most famous movie star in her country, filming in Spanish for the first time. Her association with Fernández' team (cinematographer Gabriel Figueroa, writer Mauricio Magdaleno and actor Pedro Armendáriz) was mainly responsible for creating what has been called the Golden Era of Mexican Cinema. With such pictures as María Candelaria (Xochimilco) (1944), The Abandoned (1945) and Bugambilia (1945), Del Río became the prototypical Mexican beauty in foreign countries. Her career included film, theater and television. In her last years she received accolades because of her work for orphaned children. Her last film was The Children of Sanchez (1978).
Will ship worldwide. I always combine shipping on multiple orders.
Dolores del Rio was the first Mexican movie star with international appeal an...d had a meteoric career in 1920s Hollywood (an extraordinary accomplishment for an Hispanic female on those years). She came from an aristocratic family in Durango. In the Mexican revolution of 1916, however, the family lost everything they had and emigrated to Mexico City, where Dolores became a socialite. In 1921 she married Jaime Del Río (also known as Jaime Martínez Del Río), a wealthy Mexican, and the two became friends with Hollywood producer/director Edwin Carewe. In a somewhat unorthodox manner, for those years, the couple moved to Hollywood where they expected to launch careers in the movie business (she as an actress, he as a screenwriter). Eventually they were divorced after Dolores made her first film, Joanna (1925). THe film was a success and Dolores was hailed as a female Rudolph Valentino. Her career rose until the arrival of sound in 1928. After a number of forgettable films, she married Cedric Gibbons, the well-known art director and production designer at MGM studios. Dolores returned to Mexico in 1942. Her Hollywood career was over, and a romance with Orson Welles--who later called her "the most exciting woman I've ever met"--caused her second divorce. Mexican director Emilio Fernández offered her the lead in his film Flor silvestre (1943), with a wholly unexpected result: at age 37, Dolores Del Río became the most famous movie star in her country, filming in Spanish for the first time. Her association with Fernández' team (cinematographer Gabriel Figueroa, writer Mauricio Magdaleno and actor Pedro Armendáriz) was mainly responsible for creating what has been called the Golden Era of Mexican Cinema. With such pictures as María Candelaria (Xochimilco) (1944), The Abandoned (1945) and Bugambilia (1945), Del Río became the prototypical Mexican beauty in foreign countries. Her career included film, theater and television. In her last years she received accolades because of her work for orphaned children. Her last film was The Children of Sanchez (1978).
