LARGE ANTIQUE ANDES INDIAN RITUAL TEXTILE Fine Alpaca, Llama Wool TM13035
Item History & Price
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A LARGE ANTIQUE RITUAL INKHUÑA TEXTILE
FROM HIGHLAND, BOLIVIA . Inventory Number: TM13035 Origin/Provenance: Greater Ulla Ulla Pueblo, Franz Tamayo Province, on the border with Perú, elevation about 14, 000 feet, Cordillera Apolobamba Mountains, Department of La Paz, Bolivia, South America. Basic Description: This is an authentic inkhuña ritual cloth from north of Sacred Lake Titikaka tha...t served a number of purposes. These textiles were used to carry sacred items to ceremonies and as ground cloths for rituals. The large example measures about 30 ½-inches by 30 inches. With 44 warps per inch and 12 wefts per inch, this is a moderately finely-woven textile. The materials include natural (undyed) llama and “blue” alpaca wool. The blue alpaca wool is a curious variety of natural gray that has a steel blue cast. The inkhuña is in VERY GOOD condition (see below) with use-soiling and a few spots of light fraying along the edges. There are no holes. There is separate finger-woven edge-tubing around the periphery that actually protected the original edge of the textile from wearing. The corner tassels for tying the weaving were added about 40 years ago. Two design bands include woven ch´imi (mixed) yarns having spiritual significance. The center field consists of spun ch´imi yarns. The textile dates from about 1900 to the 1930´s. This is a condensed description. Feel free to ask questions regarding: provenance/origin, inkhuña, exact condition, and PERSONAL COMMENTARIES. We will be happy to provide you with more information. Please refer to the ANDES AMAZON "DATING" TERMS below.
Please refer to the photos and the ANDES AMAZON TEXTILE "CONDITION" TERMS. ---------------------------------------------------------- ANDESAMAZON SHIPPING Most of our items are shipped directly from South America. The advantage is that selling costs are kept to a minimum. The disadvantage is that items will not arrive quickly. Most items arrive in two to three weeks from their date of shipping; however, some items have taken up to six weeks to arrive (especially to Australia, India, Japan, New Zealand, greater Asia and the Middle East) due mostly to customs inspections and policies. Items to the United States of America have arrived in as few as ten days. Our offices are not in close proximity to international postal service. Most items are shipped within one to three working days of payment.The actual governmentalcost (within 5% accuracy) for shipping this item is as follows: $32SHIPPING TO THE WESTERN HEMISPHERE (THE AMERICAS)$39SHIPPING TO EUROPE (INCLUDING RUSSIA)$55SHIPPING TO ASIA, AFRICA, AUSTRALIA, NEW ZEALAND{These arethe true prices for shipping this item. These prices supersede any automatedeBay costs generated for the listing. We do not charge for packing, handling, materials, certification (tracking), bribes paid for expedited processing, or fuel for thetwo to three-hour trip to and from the nearest post office.}WE HAPPILY COMBINE SHIPPING COSTSALLANDESAMAZON SHIPPING INCLUDES TRACKING NUMBERS FOR YOUR CONVENIENCEANDESAMAZON ANDESAMAZON is an eBay sister site to AKATAKSA, which began in February, 1999. With transactions involving some 3000 clients AKATAKSA is noted with ABOVE STANDARD performance and 100% POSITIVE FEEDBACK. All AKATAKSA items are shipped from within the United States. Most ANDESAMAZON items are shipped directly from South America. Our intention is to reach a larger number of clients by keeping worldwide shipping costs to a minimum. Unfortunately, WE CANNOT OFFER RETURNS – either in merchandise or money. We promise to continue providing detailed and accurate information related to age, origin, condition and descriptions as we have for the past 19 years. WE ALSO PROMISE TO DO EVERYTHING POSSIBLE TO ASSURE THAT YOU ARE SATISFIED WITH YOUR PURCHASES. ANDES AMAZON "DATING" TERMS: PREHISTORIC, PRE-COLUMBIAN, ANCIENT = Before around A.D. 1500. 18TH CENTURY = A.D. 1700 to 1799. 19th CENTURY = 1800 to 1899. TURN-OF-THE-19TH-CENTURY = 1890 to 1910. EARLY-20TH CENTURY = 1900 to 1933. MID-20TH CENTURY = 1934 to 1966. LATE-20TH CENTURY = 1967 to 1999. TURN-OF-THE-20TH-CENTURY = 1995 to 2005. EARLY-21ST CENTURY = 2000 to Present. COLONIAL = A.D. 1532 to 1825. ANTIQUE = Over 50 years old. VINTAGE = Over 30 years old. CONTEMPORARY = Made in the last 5 years. CIRCA = "Approximately/around/within a few years of." ANDES AMAZON TEXTILE “CONDITION” TERMS: Terms used to describe the physical condition of textiles can be subjective and vary greatly from one observer to another. What some others call “mint” condition, we call “good”; what others call “excellent” condition, we call “fair.” Following are explanations of the terms we use. MINT = Like new. Unused -- as if recently removed from the loom. No wear or patina of any kind. These textiles may have “nubs” or even loose, uncut threads from the weaving process. EXCELLENT = Usually only lightly used, often guarded or stored for many years. There may be extremely light wear, patina and sheen from use. There may also be nearly undetectable light staining or soiling from use. The colors may have muted ever so slightly due to age or exposure, often improving the beauty of a textile. VERY GOOD = Usually lightly or only periodically used. The surface may be very lightly but evenly worn. There are no tears or distracting holes. There may be minimal surface discoloration. Vintage textiles may have lightly darkened yarn from use and age (staining and soiling). Overall, the textile will be in outstanding condition and at a displayable distance will appear perfect. GOOD = Usually moderately to well-used. There may be light to medium staining, isolated or throughout. Some parts of the textile may be worn or have very small holes, occasionally exposing hidden thread yarns. Edges may be lightly frayed. Surface discoloration due to age and exposure is common but often improving the appearance of a textile. There may be minor, light or isolated, dye “run.” Damage will not distract significantly from the textile when displayed. FAIR = Either well-used or moderately abused. Extensive wear is common as is some “bleeding” or dye “run.” In most 20th century cases, the colors have considerably faded. Sections of fringe or tassels may be missing. Textiles may be in otherwise excellent condition but with a single isolated sector of damage, that greatly reduces its aesthetic appeal. Most vintage tribal textiles on the world market are in FAIR TO GOOD condition. POOR = Showing evidence of extreme usage and damage. These textiles do not display well and are primarily useful as study specimens or examples of sometimes very rare textiles. OUR COMMITMENT We believe the world can be a better place. We believe that humanity has a higher, aspiring destination. We know that through mutual respect conflicts will subside. We know that by understanding our differences we can help one another. We believe that our Mother Earth and our Universe can provide unlimited resources for every man, woman and child to live in peace, happiness and love. As stewards of the human race, we have an intrinsic responsibility to do what we can to improve our world as much as possible. The majority of human existence has been dominated by so-called “Native” groups, also known as tribal folk, original residents, indigenous people, aboriginals, First Nations, traditional ethnicities, autochthonous societies, autochthonal cultures, et al. At some point, of course, our ancestors were the same… regardless of current culture, creed or color. Regrettably, in the past half a millennium, thousands of unique tribal groups have disappeared due to misunderstanding, impudence and ethnocentrism. The direct and circuitously destruction of myriad native cultures, each a once-valuable resource to our planet, is due to uncontrolled aspects of colonialism, capitalism, racism and politicization. Of the nearly 7000 languages currently spoken on our planet, over 6000 are in immediate danger of becoming extinct. The vast majority of those are ethnic indigenous. We believe in cherishing and carefully supporting the very few “Native” groups that remain on earth. Unfortunately, we are on the brink of losing our connection with indigenous spirit, wisdom and traditional knowledge. For those whose customs have vanished, our window into their worlds is only available through literature, paintings, photographs, a few recordings and material culture, or the objects they created. For more than a quarter century those of us behind AKATAKSA/ANDESAMAZON have dedicated our professional interests to documenting “traditional” South American indigenous cultures, especially through their material culture. Our field studies have led us to some of the remotest living people on the continent. We have witnessed Native Americans existing exactly as their ancestors did in prehistoric times… and others who have jumped from 18th century existence to 21st century reality in the blink of an eye. Our ethnographic investigations have resulted in valuable data related to linguistics, cultural history, ethno-environmental relationships, socio-cultural organization, cosmology, mythology, spirituality and of course, material culture. We have a detailed proposal for a magnificent cultural center aimed at stimulating interest in past and present indigenous cultures. Our unique idea is not just to show beautiful objects on display. Ours is to share the entire background of a piece, not only from a scientific or scholarly point of view but also from a cultural and spiritual perspective as well. This holistic approach to understanding indigenous material culture shall include accompanying photographs, films, recorded testimonials, music, related specimens and even field notes. We want to inspire our visitors to continue their own investigations into realms of mysterious phenomena that we really know very little about. Apart from receiving monies for researching indigenous material culture, our sales contribute toward expanding interest in past cultures and ways of life. Not only can beautiful and interesting objects enhance ones´ personal environment, but they can also provide invaluable knowledge regarding different ideologies, unique ways of life and past or nearly extinct traditions. We encourage every buyer to intimately study each piece and learn as much as possible about its origin, function, importance and spiritual history. We hope that you share with companions, friends and especially children whatever understanding, knowledge and insights you obtain from our objects. In this small way, we feel inspired in preserving something of native cultures and making the world a better place. Thank you for working with us. THANK YOU FOR YOUR INTEREST AND SUPPORT
Copyright © 2006-2008, 2010, 2011 Pete Fritz All Rights Reserved
A LARGE ANTIQUE RITUAL INKHUÑA TEXTILE
FROM HIGHLAND, BOLIVIA . Inventory Number: TM13035 Origin/Provenance: Greater Ulla Ulla Pueblo, Franz Tamayo Province, on the border with Perú, elevation about 14, 000 feet, Cordillera Apolobamba Mountains, Department of La Paz, Bolivia, South America. Basic Description: This is an authentic inkhuña ritual cloth from north of Sacred Lake Titikaka tha...t served a number of purposes. These textiles were used to carry sacred items to ceremonies and as ground cloths for rituals. The large example measures about 30 ½-inches by 30 inches. With 44 warps per inch and 12 wefts per inch, this is a moderately finely-woven textile. The materials include natural (undyed) llama and “blue” alpaca wool. The blue alpaca wool is a curious variety of natural gray that has a steel blue cast. The inkhuña is in VERY GOOD condition (see below) with use-soiling and a few spots of light fraying along the edges. There are no holes. There is separate finger-woven edge-tubing around the periphery that actually protected the original edge of the textile from wearing. The corner tassels for tying the weaving were added about 40 years ago. Two design bands include woven ch´imi (mixed) yarns having spiritual significance. The center field consists of spun ch´imi yarns. The textile dates from about 1900 to the 1930´s. This is a condensed description. Feel free to ask questions regarding: provenance/origin, inkhuña, exact condition, and PERSONAL COMMENTARIES. We will be happy to provide you with more information. Please refer to the ANDES AMAZON "DATING" TERMS below.
Please refer to the photos and the ANDES AMAZON TEXTILE "CONDITION" TERMS. ---------------------------------------------------------- ANDESAMAZON SHIPPING Most of our items are shipped directly from South America. The advantage is that selling costs are kept to a minimum. The disadvantage is that items will not arrive quickly. Most items arrive in two to three weeks from their date of shipping; however, some items have taken up to six weeks to arrive (especially to Australia, India, Japan, New Zealand, greater Asia and the Middle East) due mostly to customs inspections and policies. Items to the United States of America have arrived in as few as ten days. Our offices are not in close proximity to international postal service. Most items are shipped within one to three working days of payment.The actual governmentalcost (within 5% accuracy) for shipping this item is as follows: $32SHIPPING TO THE WESTERN HEMISPHERE (THE AMERICAS)$39SHIPPING TO EUROPE (INCLUDING RUSSIA)$55SHIPPING TO ASIA, AFRICA, AUSTRALIA, NEW ZEALAND{These arethe true prices for shipping this item. These prices supersede any automatedeBay costs generated for the listing. We do not charge for packing, handling, materials, certification (tracking), bribes paid for expedited processing, or fuel for thetwo to three-hour trip to and from the nearest post office.}WE HAPPILY COMBINE SHIPPING COSTSALLANDESAMAZON SHIPPING INCLUDES TRACKING NUMBERS FOR YOUR CONVENIENCEANDESAMAZON ANDESAMAZON is an eBay sister site to AKATAKSA, which began in February, 1999. With transactions involving some 3000 clients AKATAKSA is noted with ABOVE STANDARD performance and 100% POSITIVE FEEDBACK. All AKATAKSA items are shipped from within the United States. Most ANDESAMAZON items are shipped directly from South America. Our intention is to reach a larger number of clients by keeping worldwide shipping costs to a minimum. Unfortunately, WE CANNOT OFFER RETURNS – either in merchandise or money. We promise to continue providing detailed and accurate information related to age, origin, condition and descriptions as we have for the past 19 years. WE ALSO PROMISE TO DO EVERYTHING POSSIBLE TO ASSURE THAT YOU ARE SATISFIED WITH YOUR PURCHASES. ANDES AMAZON "DATING" TERMS: PREHISTORIC, PRE-COLUMBIAN, ANCIENT = Before around A.D. 1500. 18TH CENTURY = A.D. 1700 to 1799. 19th CENTURY = 1800 to 1899. TURN-OF-THE-19TH-CENTURY = 1890 to 1910. EARLY-20TH CENTURY = 1900 to 1933. MID-20TH CENTURY = 1934 to 1966. LATE-20TH CENTURY = 1967 to 1999. TURN-OF-THE-20TH-CENTURY = 1995 to 2005. EARLY-21ST CENTURY = 2000 to Present. COLONIAL = A.D. 1532 to 1825. ANTIQUE = Over 50 years old. VINTAGE = Over 30 years old. CONTEMPORARY = Made in the last 5 years. CIRCA = "Approximately/around/within a few years of." ANDES AMAZON TEXTILE “CONDITION” TERMS: Terms used to describe the physical condition of textiles can be subjective and vary greatly from one observer to another. What some others call “mint” condition, we call “good”; what others call “excellent” condition, we call “fair.” Following are explanations of the terms we use. MINT = Like new. Unused -- as if recently removed from the loom. No wear or patina of any kind. These textiles may have “nubs” or even loose, uncut threads from the weaving process. EXCELLENT = Usually only lightly used, often guarded or stored for many years. There may be extremely light wear, patina and sheen from use. There may also be nearly undetectable light staining or soiling from use. The colors may have muted ever so slightly due to age or exposure, often improving the beauty of a textile. VERY GOOD = Usually lightly or only periodically used. The surface may be very lightly but evenly worn. There are no tears or distracting holes. There may be minimal surface discoloration. Vintage textiles may have lightly darkened yarn from use and age (staining and soiling). Overall, the textile will be in outstanding condition and at a displayable distance will appear perfect. GOOD = Usually moderately to well-used. There may be light to medium staining, isolated or throughout. Some parts of the textile may be worn or have very small holes, occasionally exposing hidden thread yarns. Edges may be lightly frayed. Surface discoloration due to age and exposure is common but often improving the appearance of a textile. There may be minor, light or isolated, dye “run.” Damage will not distract significantly from the textile when displayed. FAIR = Either well-used or moderately abused. Extensive wear is common as is some “bleeding” or dye “run.” In most 20th century cases, the colors have considerably faded. Sections of fringe or tassels may be missing. Textiles may be in otherwise excellent condition but with a single isolated sector of damage, that greatly reduces its aesthetic appeal. Most vintage tribal textiles on the world market are in FAIR TO GOOD condition. POOR = Showing evidence of extreme usage and damage. These textiles do not display well and are primarily useful as study specimens or examples of sometimes very rare textiles. OUR COMMITMENT We believe the world can be a better place. We believe that humanity has a higher, aspiring destination. We know that through mutual respect conflicts will subside. We know that by understanding our differences we can help one another. We believe that our Mother Earth and our Universe can provide unlimited resources for every man, woman and child to live in peace, happiness and love. As stewards of the human race, we have an intrinsic responsibility to do what we can to improve our world as much as possible. The majority of human existence has been dominated by so-called “Native” groups, also known as tribal folk, original residents, indigenous people, aboriginals, First Nations, traditional ethnicities, autochthonous societies, autochthonal cultures, et al. At some point, of course, our ancestors were the same… regardless of current culture, creed or color. Regrettably, in the past half a millennium, thousands of unique tribal groups have disappeared due to misunderstanding, impudence and ethnocentrism. The direct and circuitously destruction of myriad native cultures, each a once-valuable resource to our planet, is due to uncontrolled aspects of colonialism, capitalism, racism and politicization. Of the nearly 7000 languages currently spoken on our planet, over 6000 are in immediate danger of becoming extinct. The vast majority of those are ethnic indigenous. We believe in cherishing and carefully supporting the very few “Native” groups that remain on earth. Unfortunately, we are on the brink of losing our connection with indigenous spirit, wisdom and traditional knowledge. For those whose customs have vanished, our window into their worlds is only available through literature, paintings, photographs, a few recordings and material culture, or the objects they created. For more than a quarter century those of us behind AKATAKSA/ANDESAMAZON have dedicated our professional interests to documenting “traditional” South American indigenous cultures, especially through their material culture. Our field studies have led us to some of the remotest living people on the continent. We have witnessed Native Americans existing exactly as their ancestors did in prehistoric times… and others who have jumped from 18th century existence to 21st century reality in the blink of an eye. Our ethnographic investigations have resulted in valuable data related to linguistics, cultural history, ethno-environmental relationships, socio-cultural organization, cosmology, mythology, spirituality and of course, material culture. We have a detailed proposal for a magnificent cultural center aimed at stimulating interest in past and present indigenous cultures. Our unique idea is not just to show beautiful objects on display. Ours is to share the entire background of a piece, not only from a scientific or scholarly point of view but also from a cultural and spiritual perspective as well. This holistic approach to understanding indigenous material culture shall include accompanying photographs, films, recorded testimonials, music, related specimens and even field notes. We want to inspire our visitors to continue their own investigations into realms of mysterious phenomena that we really know very little about. Apart from receiving monies for researching indigenous material culture, our sales contribute toward expanding interest in past cultures and ways of life. Not only can beautiful and interesting objects enhance ones´ personal environment, but they can also provide invaluable knowledge regarding different ideologies, unique ways of life and past or nearly extinct traditions. We encourage every buyer to intimately study each piece and learn as much as possible about its origin, function, importance and spiritual history. We hope that you share with companions, friends and especially children whatever understanding, knowledge and insights you obtain from our objects. In this small way, we feel inspired in preserving something of native cultures and making the world a better place. Thank you for working with us. THANK YOU FOR YOUR INTEREST AND SUPPORT
Copyright © 2006-2008, 2010, 2011 Pete Fritz All Rights Reserved
