Vintage Painting " Lily Pond " Herman M Linding Ossining, York Artist
Item History & Price
Painting is an oil on canvas; size is 16" x 12, " plus frame. Unique perspective on a pond scene. Painting has been conserved. Artwork has also been relined at which time the notation as to the artist was lost on the reverse side. Artwork has been hard to photograph, as the frame's gold tones overpower the coloring. Actually darker than pictured. Frame is a new period reproduction
Herman Magnuson Linding (1880-1947)
Biography.A New York wood sc...ulptor and painter, he was born in Sweden to Eva and Alfred Linding. He studied with the noted Swedish artist Reinhold Callmander and Carl Wilhelmson, and also at the Academie Colorossi in Paris. He immigrated to the United States around 1903, eventually marrying the painter and lithographer Lillian Oestreich, and, according to his obituary in the "Ossining Citizen Register" for September 4, 1947, they settled in the Kitchawan area of New York with an Ossining address, in 1922. The artist exhibited with the Society of Independent Artists (1920-1923), the Chicago Institute of Art (1921), the Whitney Museum of American Art (after 1930), and also at the Salons of America (1934) at which time he was working in the WPA Public Works of Art Project in New York. The artist maintained studio's in Ossining, New York and also in New York City. He also held memberships in the Society of Independent Artists and the Whitney Studio Club.
Herman Magnuson Linding (1880-1947)
Biography.A New York wood sc...ulptor and painter, he was born in Sweden to Eva and Alfred Linding. He studied with the noted Swedish artist Reinhold Callmander and Carl Wilhelmson, and also at the Academie Colorossi in Paris. He immigrated to the United States around 1903, eventually marrying the painter and lithographer Lillian Oestreich, and, according to his obituary in the "Ossining Citizen Register" for September 4, 1947, they settled in the Kitchawan area of New York with an Ossining address, in 1922. The artist exhibited with the Society of Independent Artists (1920-1923), the Chicago Institute of Art (1921), the Whitney Museum of American Art (after 1930), and also at the Salons of America (1934) at which time he was working in the WPA Public Works of Art Project in New York. The artist maintained studio's in Ossining, New York and also in New York City. He also held memberships in the Society of Independent Artists and the Whitney Studio Club.
