S P R I N G S A L E California Painting BARSE MILLER ' Old Church, LA ' 22 " X17 "




Item History & Price

Information:
Reference Number: Avaluer:1493363Size: Medium (up to 36in.)
Date of Creation: 1900-1949Region of Origin: US
Signed?: SignedArtist: Barse Miller
Original/Reproduction: OriginalStyle: Realism
Features: SignedListed By: Dealer or Reseller
Width (Inches): 17Quantity Type: Single-Piece Work
Subject: MilitaryPainting Surface: Paper
Originality: OriginalMedium: Watercolor
Height (Inches): 22
Original Description:
SPRING SALE..............
*An offer close to 75% of original price is sure to be accepted.........
ORIGINAL AND VINTAGE .............BARSE MILLER.............'OLD CHURCH - LOS ANGELES',   WATERCOLOR ON PAPER, 22" x 17".............
ONE OF TWO BARSE MILLER WATERCOLORS NOW LISTED................

This is a 22" x 17" Original and Vintage watercolor on paper by the very important California Scene painter Barse Miller, 1904-1973. Watercolor of an 'Old Church - Los Angele...s', so stated on a label on reverse. Signed at lower right. Fine condition. Unframed.

The Biography Follows:

Barse Miller began formal art instruction at the National Academy of Design while still in elementary school.  There he received instruction from Henry Snell.  A few years later, he continued his education with Hugh Breckenridge at the Pennsylvania Academy of Fine Arts.  Both of these teachers were award winning watercolorists.  At eighteen years of age he was awarded the Cresson Traveling Scholarship which enabled him to study and paint in Europe for two years.

In 1924, he moved to Los Angeles and settled.  The next year he began exhibiting with the California Art Club and by 1928, was an active member of the California Water Color Society, serving as its president in 1936, 1937, and 1938.  His watercolors from this era were quite different than most works being produced on the West Coast.  They often included cityscape subjects with people, automobiles and industrial objects.  As the new era of California watercolorists, led by Millard Sheets and Phil Dike, emerged in the early 1930s, they welcomed Miller into the movement and revered him as one of the leading figures.

Throughout the 1930s and 1940s, the watercolors of Barse Miller became increasingly popular, and his ability to manipulate wet-into-wet washes had a huge impact on many of his students and fellow artists.  His many years of formal art instruction gave him an advantage because of his knowledge of color and design, so when the California Group was being scrutinized in the 1930s, his work helped greatly to give the overall movement credibility.

During World War II, Miller went into the United States Army and became head of the Combat Art Section in the South Pacific.  He produced a number of watercolors and was awarded for his artistic contributions that visually documented the war in that region. After the war, he received a Guggenheim Fellowship and eventually settled in New York state. His watercolors after this period became increasingly modern, as he sought to relate to a changing art world.

During his period in California, Miller taught at the Chouinard Art Institute and, for ten years, at the Art Center School.  As a teacher of watercolor painting, he helped many of the most successful California watercolorists to understand the possibilities of this unique medium.  In later years, he also made special visits to the West Coast to teach at the Brandt-Dike Summer School of Painting and other watercolor workshops.

In addition to watercolor painting, he also exhibited oil paintings and produced a number of murals.

As ever this is guaranteed 100% money back, to be as represented.














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